How to Prepare for an Author Interview: Research, Questions and Etiquette
A practical guide to preparing for an author interview: reading the backlist, writing open questions,...
Most unfinished non-fiction books are not abandoned out of laziness. They are abandoned because of a bad choice made in a good mood — at a bookshop till, on a friend's recommendation, or during a January burst of enthusiasm about how much attention you would have. Choosing well is a learnable skill, and it takes about ten minutes per book once you know what you are looking for.
This guide covers the four broad shelves beginners tend to wander into — memoir, history, science and self-help — and the checks that separate a book you will finish from one that sits by the bed until it becomes an object of mild guilt.
Before you browse anything, write one sentence: I want to understand ____. That sentence is your filter. Someone who wants to know why antibiotics keep failing will get through a science book on the subject, because every chapter answers something they are already curious about. Someone who simply wants to "read more science" will stall around chapter two, because curiosity without a target runs out fast.
If no question comes to mind, borrow one. Think about the subject you keep bringing up in conversation, or the podcast episode you listened to twice. That is the topic you will actually read about.
One person's version of their own life, shaped for reading. It is the friendliest entry point into non-fiction because it runs on voice and story rather than argument. The test is simple: read ten pages. If the voice does not hold you by then, the events will not either.
Two very different products share this label. Narrative history is written for general readers and usually runs 300 to 400 pages with light footnotes. Academic monographs are written for other specialists. Check the page count, flick through the notes, and look at how the chapters are titled. "The Winter of 1917" is a different promise to "Chapter 4: Theoretical Frameworks".
Look for a book with something to hold on to: a question, a puzzle, a cast of researchers. Books that are all awe and no argument are pleasant for twenty pages and exhausting for three hundred. A good popular science writer tells you what is not yet known, which is usually the most interesting part.
Most useful when you arrive with a specific problem rather than a vague wish to improve. Look for one idea you could try this week. Books promising a total overhaul of your life tend to be long on framing and short on anything you can do on a Tuesday. Where a book touches on health, money or legal matters, treat it as a starting point for better questions and speak to a qualified professional about your own circumstances — a general book cannot assess your situation.
Most online retailers and library apps offer a sample of the opening pages. Treat it as an audition. Read it at the time of day you will really be reading, not on a relaxed Sunday morning if your reading happens at half past ten at night.
While you are in there, check the following:
The five-star reviews tell you who loved the book. The three-star reviews tell you what is wrong with it, and that is more useful. Look for comments about pace, the middle third, repetition, or a promising premise that thins out after chapter five.
Also consider who is reviewing. If you are new to a subject, a beginner's complaint about jargon is more relevant to you than an expert's praise for nuance. Check the dates too — if a newer book covers the same ground, it may simply be the better buy. And if you are in a bookshop, ask the staff. Recommending the right book to the right person is a genuine skill, and it is part of their job.
Reading twenty pages a night, five nights a week, is a hundred pages a week. A 350-page book therefore takes about three and a half weeks. That is fine. A 700-page book takes seven weeks, which is a different decision entirely, and one worth making deliberately.
Format matters as much as length. Audiobooks suit commutes and washing up. Paperbacks survive being carried. Hardbacks are lovely at home and heavy everywhere else. Do not begin a dense history in the middle of a busy month at work.
Two rules help. The first is the fifty-page rule: if nothing has caught you by page fifty, put it down. The second is the three-strike rule: if a book has failed to hold your attention on three separate evenings, it is not a discipline problem, it is a mismatch.
Parking a book is not the same as abandoning it. Leave the bookmark in, put it back on the shelf, and let it wait until the right mood arrives. Some books simply need a different year.
A book you finish and think about for a fortnight is worth more than a shelf of books you meant to read. Start smaller than feels impressive, and let the habit do the rest.
Photo: Suzy Hazelwood / Pexels
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